by B. Baphomet

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review from Aquarius Records ... www.aquariusrecords.org

"Okay doomlords and dronelords, it’s been a while since we got something in this heavy and grim and bleak and doomic. Something so blackened and crushing, but also so dark and droney, so blissed out and blurry.
The mysterious B.Baphomet, utilizing a strange collection of sound making devices, including bass guitars, Moogs, FX, vocals, Rhodes, percussion, oscillators, seat creaking, vibraphone and of course “knocking something over”, has concocted this haunting mysterious collection of blackdrones and downtuned ambient doom, of shimmering whispers and washed out electronic landscapes. Weirdly, two of the tracks here are credited to B.Baphomet, while two of them are credited to M. Colby, who IS B.Baphomet.
Regardless, the opener is for the doomlords, a near black metal crawl, huge guitar chords poured out like black tar, super processed vocals howl and growl, streaks of feedback and long stretches of crumbling rumble, like a black metal version of that Vulture Club record we love so much. This is ultra-ultra-megadoom, an impossibly thick wall of black buzz, of low end sludge, creeping and seeping, the vocals buried in the mix, crushing and pummeling, a slow motion sonic flaying. The track eventually morphs into something much more static, the guitars spread out into throbbing drone, layered with fuzzy synths, and tons of low end, occasionally peppered with barely audible vocals, strange short wave interference, damaged FX,13 minutes of utter and glorious aural punishment.
But from that point on, the other three tracks, are for the dronelords (and hell, by now most aQ customers should count themselves as both, doomlord and dronelord), something much more abstract and minimal, the second track, is a strange swirl of muted melodies, buried rhythms, swells of processed guitar, all smeared into a blurry glimmering dronescape. The third track is similarly minimal and drone-y but much more gritty, the various tones crumbly and distorted, crackle, hiss, whir wrapped around decaying sound, the track slipping from warm alien glow, to subterranean industrial grind, but always stretched into long drawn out alien sounding sonic expanses.
The final track is the prettiest of the bunch, a sort of lullaby, drifting bell like tones, glimmering chimes, muted delicate melodies, warm soft chords, all so soft and shimmery and so unlike the rest of the disc, especially the blackened opener.
SUPER LIMITED!! Only 111 copies! Each disc comes in a super swank hand screened brown on brown cardstock sleeve, with a printed red Japanese style obi, inside, a printed color insert, each one hand numbered. "

released originally in 2007 by www.small-doses.com Small Doses as dosefour, now out ov print.


released July 7, 2007

Tracks 1 & 3 written/performed by B. Baphomet aka M. Colby
Tracks 2 & 4 written/performed/recorded in one take by M. Colby & D. LeBleu straight to cassette tape, and unedited henceforth.

Mixed, produced, & mastered by B. Baphomet @ Deadpvssy Studios.



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Satanik Recordings Gainesville, Florida


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